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MIBF 2024 : Belcanto Gala Concert Duo Fantastico

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PROGRAM

 

ROSSINI - La gazza ladra 도둑까치

Ouverture 서곡

 

ROSSINI - Il Barbiere di Siviglia 세빌리아의 이발사

Largo al factotum 나는 이 거리의 만물 박사                                      

 

BELLINI – La Sonnambula 몽유병의 여인

Care Compagne 친애하는 여러분                                                 

 

DONIZETTI - Don Pasquale 돈 빠스꾸왈레

Cheti cheti immantinente 조용히 조용히 즉시                         

 

DELIBES – Lakmé 라크메

Duo des fleurs 꽃의 이중창                                      

 

GOUNOD – Roméo et Juliette 로미오와 줄리엣

Je veux vivre  속에 살고 싶어                                                  

 

BOITO - Mefistofele 메피스토펠레

Son lo spirito che nega 나는 언제나 부정만 하는 정령이니라                       
 

GOUNOD – Faust 파우스트

Mais ce Dieu, que peut-il pour moi? 그들의 신이 나를 위해 도대체 무엇을 해줄 수 있단 말인가?                

  

 

INTERMISSION

 

 

BELLINI – Norma 노르마

Ouverture 서곡

Meco all’altar di Venere 비너스 제단에 나와 함께                                    

 

ROSSINI – Tancredi 탄크레디

Di tanti palpiti 이렇게 가슴 설림이                                             

Lascami - non t'ascolto 날 떠나요 -난 당신 말을 듣지 않아요                                      

 

 

VERDI –Un Ballo in Maschera 가면무도회

Alzati! …Eri tu che macchiavi quell'anima 그 영혼을 더럽힌 것은 바로 당신이라오                                            

 

 

VERDI – La Traviata 라트라비아타

Addio del passato 지난날이여 안녕                                                   

Parigi, o cara 사랑하는 이여파리를 떠나서                         

 

VERDI – Don Carlo 돈 카를로

Restate! 머무르라!                                                 

 

 

DONIZETTI – Lucia di Lammermoor 람메르무어의 루치아

Sulla tomba che rinsera - Verranno a te 배반당한 아버지가 누워있는 무덤에서                                 



MAGE Opera Orchestra 


As the festival orchestra of the MAGE International Belcanto Festival (MIBF 2024), it is an orchestra that will perform at gala concerts, documentary operas, etc. held in Seoul and Gyeonggi-do in 2024. It is an opera orchestra composed mainly of principals and members of major domestic and international opera theaters and orchestras.


 Conductor Hae LEE

A Korean conductor, Hae Lee was the 2nd prize winner of the Kussewitzky Conducting Competition in Italy and the Finalist of the Besançon Conducting Competition in France. Hae was invited to the LEAD! Foundation’s masterclass in Finland and after it, he was selected as the young conductor for the final concert of the Fiskars Festival. In this concert, Hae shared the podium with Esa-Pekka Salonen, James Gaffigan, and Jukka-Pekka Saraste.

In the States, Hae served as a cover conductor of Marin Alsop for her concerts at Carnegie Hall. Hae also conducted at Lincoln Center’s Alice Tully Hall as an assistant for David Hayes and Mannes Orchestra when they performed Ives’ Symphony No. 4 which requires three conductors. Hae was a fellow of the Cabrillo Festival of Contemporary Music and the assistant conductor of Baltimore Symphony Orchestra Academy.

In South Korea, Hae was invited to the master classes with Seoul Philharmonic Orchestra, Korean National Symphony Orchestra, and Korea National Opera. He conducted operas such as Le nozze di Figaro, L’elisir d’amore, La Bohème, and Gianni Schicchi.

In Europe, Hae studied at Hochschule für Musik und Theater Hamburg as an exchange student, and he has conducted Orchestre national d’Île-de-France, Orchestre Dijon Bourgogne, Orchestre Victor Hugo, and Orchestra sinfonica città di Grosseto.

Hae received his Bachelor of Arts in Conducting from the Korea National University of Arts, and he holds his Master of Music from the Peabody Institute of the Johns Hopkins University. Hae is appointed as Associate Conductor (Jack and Mary Ann Frable Associate Conductor Chair) of Richmond Symphony.


 Conductor Rira KIM

Berlin based South Korean conductor Rira Kim, recently was the assistant conductor at the Radio Filharmonisch Orkest in Netherlands for the project ‘Alice in Wonderland’ by Unsuk Chin, performed in Concergebow. She was also the assistant conductor of Korean National Opera (KNO) opera studio season 2023, assisting and conducting productions such as and from Mozart. Other highlights of her include concerts at the Köthener Bach Festtage 2022 with Die Junge Norddeutsche Philharmonie, and was among the semi-finalists of the Forum Dirigieren des Deutschen Musikrates funded ‘Das Kritische Orchester’.

Furthermore, Rira Kim was a selected candidate in many renowned master classes with Jaap van Zweden, Marin Alsop, Andrés Orozco-Estrada, Johannes Schlaefli, Jorma Panula, Johannes Schlaeflie, Jorma Panula, David Reiland, Kristiina Poska, a.o. Her broad international orchestra experience includes, RTÉ National Symphony Orchestra, Seoul Philharmonic Orchestra, Orchestre national de Metz, Symfonieorkest Vlaanderen, Korean National Symphony Orchestra, Staatskapelle Halle, Philharmonische Orchester des Staatstheaters Cottbus, a.o.

She studied BMus orchestral conducting at HfM Hanns Eisler Berlin with Prof. Christian Ehwald and currently finishing her MMus under the guidance of Prof. Markus Stenz. Since 2020, holds the Deutschlandstipendium sponsored by the Deutscher Bühnenverein.


 Soprano Sooyeon LEE 

On the stage of in Wales in 2019, Coloratura Soprano Sooyeon Lee made herself present as the final soprano in the main prize as well as in the song prize. Returning back to Germany for season 19/20, she will make a debut of Amina of La Sonnambula and perform again her recognized role of Lucia, along with other roles.

 

After having won the 2nd prize and audience prize at the 2015 ARD international music competition in Germany, the south Korean soprano began to receive attention from Europe. Lucia (Lucia di Lammermoor), Gilda (Rigoletto), Konstanze (Die Entführung aus dem Serail), Amina (La Sonnambula), Marie (La Fille du Regiment) have been her main roles among others on the stage of Oldenburg Theater in Germany, where she has been a member of Ensemble since the season 16/17.

 

In the upcoming seasons, she will make Musikverein debut in the Golden Hall in the December 2019 in a series of New Years Concerts with the Tonkünstler Orchestra conducted by Alfred Eschwé. Also, she will make a solo debut at Wigmore hall in London in October 2020 as a recital of Cardiff singer song prize finalist.

 

She graduated with distinction from the Universität für Musik und darstellende Kunst Wien, where she obtained a Master’s degree in opera by KS Edith Lienbacher, and she graduated postgraduate degrees in Vocal, Lied and Oratorio by KS Gabriele Fontana.

 

Besides the prizes at the 2015 ARD international music competition, she has won numerous other competitions as a young soprano, including Operalia competition, the Gian Battista Viotti Competition,  Pavarotti Giovani Awards, Beaumarchais International Music Competition in Vienna and the International Mozart Competition in Salzburg.

 

She had a solo concert with Helmut Deutsch in India and sang as a Keumho young Artist in Korea, and Frauen Kirche in Dresden. Also she sang at the Vienna Musikverein, MuTh, Berlin Philharmonic, Dubai Opera house. She joined Cully Classique festival, SWR festival , Rheingau festival, and Schwarzwald Festival. At the university, she played as Adele in J. Strauß’ operetta Die Fledermaus at the Schlosstheater Schönbrunn.

 Soprano Haeji CHANG

Hae Ji Chang, soprano, has been described as “an exciting young artist on the rise” (Opera Boston) with a voice “full of silvery color and nuance” (Boston Globe). Recently she performed Violetta in Verdi’s La traviata in Seoul.

 

Ms. Chang has performed between the United States and Korea from 2010. Gilda (Rigoletto) in Michigan and Maine, Mimi (La bohème) with Opera Theatre of Saint Louis, Pamina in San Jose, Susanna (Le nozze di Figaro) in Aspen. She also sang Marguerite (Faust), Sophie (Werther), Pamina (The Magic Flute) in Seoul, Susanna (Le nozze di Figaro) and Rosina (Il Barbiere di Siviglia) in Yeosu in Korea. In the past, She made her debut at Seattle Opera as Setsuko from An American Dream(World Premiere).

 

She trained as a Domingo-Colburn-Stein Young Artist in LA and sang Frasquita in Bizet’s Carmen conducted by Plácido Domingo, with subsequent appearances as the First Lady in Mozart’s The Magic Flute and as Crobyle in Thaïs. As a Gerdine Young Artist, she also covered the role of Mélisande in Debussy’s Pelléas et Mélisande with Opera Theatre of Saint Louis.

 

Ms. Chang also made her debut with Baltimore Symphony Orchestra as Ste. Marguerite in Honegger’s oratorio, Jeanne d’Arc au bûcher, which also marked her debut at Carnegie Hall. She was the soprano soloist in Fauré’s Requiem with Colorado Music Festival Chamber Orchestra and sang Exultate Jubilate K.165 with West Los Angeles Symphony in Royce Hall. Ms. Chang made her international concert debut in Moscow and St. Petersburg as well.

 

Ms. Chang won many competitions such as, Plácido Domingo's Operalia Competition in Verona, Palm Springs Opera Guild, Metropolitan Opera National Council, Peter Elvins competition.

 

In this season, she will return as Marguerite and Pamina in Korea and also make her debut as Zerlina in Seoul Arts Center in October.

 Counter-tenor Siman CHUNG

Siman Chung, countertenor from Busan, South Korea, returned to the Metropolitan Opera for the 2021-22 season, to participate in their productions of RODELINDA and AKHNATEN.

 

In the summer of 2022, he will sing the role of Siebel in FAUST for the first time at the Seoul Arts Center in Korea.

 

In 2022-23, he will join the San Francisco Opera for the first time. Later that season, he will return to San Francisco ,for concerts with the Philharmonia Baroque Orchestra and Chorale. He will sing in the Three countertenors concert with L’orchestre de LOpera Royal at Chateau de Versailles.

 

He will return to the role of ORPHEE in his debut with Edmonton Opera. In the spring of 2018, he made his role and company debut with Opera Columbus in the Berlioz version of Gluck’s opera ORPHEE ET EURYDICE.This same production then traveled to Toronto and the Banff Festival. In all three venues, he had a great personal success.

 

In 2018-19, Mr. Chung created a leading role in the new opera BEAUTY AND SADNESS, which had its World Premiere in Hong Kong. That season ,in New York, he sang concerts with Voices of Ascension and as a guest with Juilliard’s 415 Early Music Ensemble.

 

The 2016-17 season saw Mr. Chung’s return to Korea National Opera in Vivaldi’s ORLANDO FINTO PAZZO. That season ,he made his NY solo recital debut, presented by The Opera Index Foundation, after winning one of that organization’s prestigious Awards. In that same year, he also received a Grant from The Sullivan Foundation, and First Prize at the Gerda Lissner International Vocal Competition. In addition, he won the “Best Countertenor” Prize at the Francisco Vinas International Singing Competition in Barcelona.

 

Siman Chung made his debut at Carnegie Hall in 2015, singing Handel’s MESSIAH. He attended Mannes School of Music in NY, where he sang the leading role of the Refugee in Jonathan Dove’s opera FLIGHT, with Mannes Opera.

 

  
Tenor Kyungho KIM

The young Korean tenor Kyungho Kim is a graduate of the National University of Arts in Seoul and an alumnus of the Universit't der K+nste in Berlin. His teachers were Sangho Choi and Enrico Facini. He participated successfully in international competitions and was honored by prizes awarded by Competizione dell Opera‘ and ́ ‚Vincenzo Bellini Competition‘ in Italy.

 

He was a scholar of ‚Richard-Wagner-Stiftung‘ in Bayreuth, ‚Stiftung LYRA‘ in Z+rich and of the ‚Liz Mohn Kultur- und Musikstiftung‘. Kyungho Kim gain first experiences as a concert soloist in Beethoven’s 9th Symphony in Venice in 2009 und 2010. Moreover, he appeared as concert singer in Salzburg and Berlin.

 

From 2011 to 2013, he was a member of the International Opera Studio of the Staatsoper in Berlin, where he performed 1. Geharnischter in „Die Zauberfl*te“, Prinz in Wolf-Ferrari‘s „Aschenputtel“ and Flavio in Norma“.

 

In December 2012, he debuted to great acclaim as Chevalier des Grieux in a production of Massenet’s Manon“ in Dortmund.

 

Furthermore, he appeared as the Duca/“Rigoletto“, Macduff/ “Macbeth“, Rodolfo/“La Bohème“, Roméo/Roméo et Juliette“, Gabriele Adorno/“Simon Boccanegra“ at the Slovak National Theatre in Bratislava, asRodolfo and Ismaele/“Nabucco“ at Oper Leipzig, as S'nger/“Der Rosenkavalier“ in Dortmund, Tamino/Die Zauberfl*te“ at Oper Graz and debuted in a production of Turandot at Bregenz Festival. It was at Semperoper Dresden, at Staatsoper Stuttgart and at Theater St. Gallen, where he was recently invited to sing Rodolfo again. Moreover, Kyungho Kim guested at Oper Graz and at Staatstheater Kassel to perform Gounod’s Roméo in „Roméo et Juliette“.

 

Kyungho Kim was member of Oper Leipzig until summer 2019 performing roles such as Edgardo/“Lucia di Lammermoor“, Tamino, Alfredo/“La Traviata“ and Duca/“Rigoletto“. Now guest he had an enormous personal success with his debuts as Prince/“Rusalka“ and „Faust“ in St.Gallen, highly acclaimed by public and critics. On a short notice he sang the role of Prince/Rusalka“ also at Vlaamse Opera, the production can be seen on live stream. He was reinvited for Rodolfo/“La Bohème“ in season 2021/22.

 

Future plans(2022/23)include for example his return to State Opera Prague, his debut at Staatsoper Stuttgart as Prince/Rusalka.

 



 Baritone Joo Won KANG 

JOO WON KANG, a native of South Korea, is consistently establishing himself as one of the most talented baritones today, both with audience and critics.He made his Metropolitan Opera debut as Marcello in La Boheme. He also appeared in the company's new production of Don Carlo, as well as Turandot(Ping)

 

Mr Kang has appeared in leading roles,such as Figaro in The Barber of Seville, Germont in La Traviata, Papageno in The Magic Flute, Dandini in La Cenerentola, Sharpless in Madama Butterfly, the title role in Eugene Onegin and Ping in Turandot in opera companies throughout the US, including San Francisco Opera, Seattle Opera, Opera Theatre of St. Louis, Canadian Opera Company, Arizona Opera, Wolf Trap Opera and Utah Opera. He also appeared at Boston Symphonys Lady Macbeth of Mtensk in Boston and Carnegie Hall and the live concert recording will be released with Deutsche Grammophon Label. 

Highlights of Mr. Kangs 2016-2017 season include his debut at the Wexford Festival, Ireland where he sang the leading role of Corrado in Donizettis Maria de Rudenz with great success. Of his performance, Opera News Magazine called his ...The standout voice of this years festival…” He sang the role of Chou-Enlai in John Adams' Nixon in China with the Los Angeles Philharmonic, conducted by the composer. This summer he sings Germont in La Traviata with PORT opera, and in the fall he returns to San Francisco Opera to sing Ping in Turandot, which opens their new season. Additional upcoming debuts include Arizona Opera, and Opera Theatre of St. Louis. In 2024

 

In the 2015-16 season, Mr. Kang returned to Wolf Trap Opera to sing Sharpless in Madama Butterfly at the Filene Centre, with the National Symphony Orchestra. In 2015-16 He also sang the title role in Eugene Onegin with North Carolina Opera, Figaro in Il Barbiere di Siviglia with Fort Worth Opera, and his debut in Les Pêcheurs de Perles with Seattle Opera.

 

His engagements for the 2014-15 season included Marcello in San Francisco Operas family performances of La Bohème. He also made debuts as Guglielmo in Così fan tutte with Opera Naples, and as Germont in La Traviata with North Carolina Opera. He then went to the Spoleto Festival USA, to sing in the World Premiere of Huang Ruo's opera Paradise Interrupted, which he repeated in Singapore and at the Lincoln Center Festival.

 

Mr. Kang made his debut with Korea National Opera in the new opera Soul Mate, He also made his role debut with the company as Conte di Luna in Trovatore and joined the roster of Wolf Trap Opera performing the double role of Le Directeur and Le Gendarme in Les Mamelles de Tirésias as well as Moralès in Carmen with the National Symphony Orchestra.

 

As a member of the 2011 Merola Opera Program, he was invited to join San Francisco Operas prestigious Adler Fellowship, where he was a member for two years. Mr. Kang appeared on the stage of San Franciscos War Memorial Opera House, in a variety of roles including Captain Gardiner in Heggies Moby Dick, which was televised nationally on PBS and released on DVD. With the company he sang the role of Figaro in San Francisco Operas family performances of The Barber of Seville. Prior to his time in San Francisco, Mr. Kang was a member of the Young Artist Program at Florida Grand Opera, where his roles included Germont in La Traviata.

 


 Tenor Sungmin SONG 

He comes from a family of architects and engineers in South Korea. He also tended professionally in this direction, then studied computer engineering and was already working in this field, when a singing professor in the church became aware of him and recommended Sung min Song to have his voice trained. He didn't have to be told twice, gave up his apartment and job in South Korea and came to Germany to study. He studied at the Musikhochschule in Munich with Prof. Frieder Lang and Prof. Daniel Kotlinski and graduated from there. 

In the 2023/24 season He made his successful debut with Der fliegende Holländer (Erik) in Komische Oper Berlin and sung "Die lustige Witwe(Camille de Rosillon)" in Hessisches Staatstheater Wiesbaden. the tenor recorded three Mozart masses on CD with the Cologne Chamber Orchestra. And he sang "Stabat Mater by Dvorak" with the Bochum Symphony Orchestra (incl. CD recording), "Magic Flute" in Korea National Opera, "La Traviata(Alfredo)" in Theater Osnabrück, Eugen Onegin(Lensky) The Rake's Progress(Tom) in Staatstheater Augsburg, "Verdi's Requiem" in Elbphilharmonie, Bremer Konzerthaus and Wunderino Arena Kiel, Opera Gala in Alte Oper Frankfurt and  "Beethovens Symphony No.9" with Sinfonieorchester Aachen, Staatsphilharmonie Rheinland-Pfalz, Hofer Symphoniker, and in Isarphilharmonie mit Münchner Symphoniker 

 The season of 2023/24 will be followed by  "Beethoven Symphony.9" in National Forum of Music Wroclaw and "Verdis Requiem" in Oldenburgischen Staatstheater, "Operetta Gala" with Württembergische Philharmonie and "Les pêcheurs de perles(Nadir)" Concert Version Tour in Göttingen, Bordeaux and Pau in France, Concert Tour to Asia with "Les Musiciens du Louvre" with Dirigent "Marc Minkowski".

 

 2024/25 Saison he will Mendelssohn »Lobgesang« (Prague Radio Symphony Orchestra) , Bruckners Te Deum & Janacek, Glagolitische Mess (Hamburg Elbphilharmonie Orchester), Dvorak Stabat Mater with MDR Rundfunkorchester and Rundfunkchor im Gewandhaus (Dirigent : Dennis Russell Davies),

 Beethoven Symphonie.9 with WDR Rundfunkchor in Kölner Philharmonie and in Theater Aachen and Oskar Gottlieb Blarr "Die Jesus-Passion"with Hamburg Elbphilharmonie Orchester in St.Michael Hamburg sing.

 In the 2022/23 season he made his role debut in "Dvořák's Rusalka (Barrie Kosky Direction), (Prinz) " at the Komisch Oper Berlin and sang he "Gounod Faust(Faust)" in Aalto Theater Essen",  "Verdis Messa da Requiem" with Sinfonieorchester Basel, "Rossini Guillaume Tell" in Bühnen Bern “Don Pasquale (Ernesto)", "Fledermaus(Alfred)" at the Saarländisches Staatstheater, "La Traviata(Alfredo)" at the Staatstheater Augsburg, "Turandot(Pong) in Theater Magdeburg, "La Traviata (Alfredo)" im Staatstheater Darmstadt. In the concert area he performed at the "Star & Rising Stars Festival" with the conductor "Vladimir Jurowski" in Munich, Puccini's "Messa di gloria" with the International Bachakademie/Stuttgart Philharmoniker(Incl. CD Recording), the "Stabat Mater by Dvorak"with the Elbphilharmonie Orchester in St.Michael Hamburg, and the "Carmina Burana" in Isarphilharmonie with Münchner Symphoniker" and  in Wiener Musikverein with Tonkünstler-Orchester with the Conductor Yutaka Sado..

In the 2021/22 season, Sung min Song was able to show the full range of his repertoire: At the Staatstheater Augsburg he performed "Gounod's Faust" , "Bach's Johnannes Passion (Evangelist)" in Warsaw and at the Musikverein Vienna, "Mendelssohn's 2nd Symphony Lobgesang" with the Gürzenich Orchestra Cologne and "Orff's Carmina Burana" at the Mecklenburg State Theater at the Schlossfestspiele in Schwerin. he interpreted the role of Brighella in Strauss' "Ariadne auf Naxos" at the Landestheater Salzburg and Saarländisches Staatstheater, "Verdi's Messa da Requiem" at the Theater Münster and St.Michaelis in Hamburg, and "Beethoven's 9th Symphony" with the Bamberg Symphony Orchestra on New Year's Eve 2021. The concert was televised in Germany and Singapore.

 

In 2019 he appeared at the Tyrolean Festival in Erl in a production of "Rossini's Guillaume Tell (Arnold)" conducted by Michael Güttler and sang "Puccini's Messa di Gloria" with the MDR Sinfonieorchester and MDR Rundfunkchor conducted by Domingo Hindoyan at the Leipzig Gewandhaus. In 2018, the tenor sang "Verdi's Messa da Requiem" at the Rheingau Music Festival as well as in the Herkulessaal of the Munich Residence under the baton of Kent Nagano. The performance of "Strauss Feuersnot " with the Munich Radio Orchestra conducted by Ulf Schirmer was released on CD by cpo.  In 2016, the Bavarian Radio Kissinger Summer Festival broadcasted "Rossini's  Stabat Mater" with the Bamberg Symphony Orchestra conducted by Alain Altinoglu. Sung min Song has been an ensemble member at the Saarländisches Staatstheater, he thrilled audiences and the press as Arnold in Rossini's "Guillaume Tell"; the opera production was recorded and broadcast by Arte Concert.

 

The artist has received numerous awards at competitions such as the Richard Strauss Singing Competition, Anneliese Rothenberger Prize, Gasteig Music Prize, Kissinger Summer Luitpold Prize, 3rd prize  at the 33 ° Concorso Internazionale Valsesia Musica 2017, at the Hariclea Darclée Festival and the International Voice Competition second prize and Grand Prix and Prix Special ADAMI at the Vincenzo Bellini Concours International de Belcanto in Paris.


 

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Total seats 2,505

  • General seats2,481
  • Wheelchair seats24

Concert Halla concert hall built as the first concert hall in Korea.

The Concert Hall is the first of its kind built exclusively for concerts in Korea. The horseshoe shaped hall with 2,505 seats and three stories is acclaimed for its ideal acoustics by numerous artists who have a performance here.
Remodeled and renovated in 2005,Concert Hall demonstrates its superb sound in every concert.

Seating Charts

By clicking the seats circled in red in the seating chart,

you can see an actual view of the stage from your chosen seat.

seat chart (floor 1) of the Concert Hall1층A블록4열2번 1층A블록3열8번 1층A블록10열2번 1층A블록10열10번 1층A블록15열2번 1층A블록15열11번 1층A블록18열2번 1층A블록18열9번 1층A블록21열2번 1층A블록21열6번 1층B블록4열3번 1층B블록4열8번 1층B블록10열3번 1층B블록10열9번 1층B블록14열3번 1층B블록14열10번 1층B블록18열3번 1층B블록18열11번 1층B블록21열3번 1층B블록21열12번 1층C블록4열1번 1층C블록4열6번 1층C블록4열12번 1층C블록10열1번 1층C블록10열7번 1층C블록10열13번 1층C블록14열1번 1층C블록14열8번 1층C블록14열14번 1층C블록18열1번 1층C블록18열8번 1층C블록18열15번 1층C블록21열1번 1층C블록21열8번 1층C블록21열15번 1층D블록4열3번 1층D블록4열8번 1층D블록10열3번 1층D블록10열9번 1층D블록14열3번 1층D블록14열10번 1층D블록18열3번 1층D블록18열11번 1층D블록21열3번 1층D블록21열12번 1층E블록4열3번 1층E블록4열9번 1층E블록10열2번 1층E블록10열10번 1층E블록15열2번 1층E블록15열11번 1층E블록18열2번 1층E블록18열9번 1층E블록21열2번 1층E블록21열6번 합창석H블록1열2번 합창석H블록1열15번 합창석H블록2열2번 합창석H블록2열11번 합창석H블록2열19번 합창석H블록3열2번 합창석H블록3열23번 합창석H블록4열2번 합창석H블록4열11번 합창석G블록2열3번 합창석G블록2열10번 합창석G블록2열32번 합창석G블록2열29번 합창석G블록4열3번 합창석G블록4열12번 합창석G블록4열18번 합창석G블록4열27번 합창석G블록4열35번 합창석F블록1열2번 합창석F블록1열15번 합창석F블록2열2번 합창석F블록2열11번 합창석F블록3열2번 합창석F블록3열23번 합창석F블록4열2번 합창석F블록4열12번
  • 1F 1,508 seats

    • General seats1,226
    • Wheelchair seats8
    • Choir seats274
seat chart (floor 2,3) of the Concert Hall2층A블록2열2번 2층A블록2열17번 2층A블록4열2번 2층A블록4열10번 2층A블록4열18번 2층A블록6열2번 2층A블록6열18번 2층B블록2열2번 2층B블록2열9번 2층B블록4열2번 2층B블록4열10번 2층B블록6열2번 2층B블록6열12번 2층C블록2열3번 2층C블록2열9번 2층C블록4열3번 2층C블록4열10번 2층C블록6열3번 2층C블록6열10번 2층D블록2열2번 2층D블록2열9번 2층D블록4열2번 2층D블록4열10번 2층D블록6열2번 2층D블록6열12번 2층E블록2열2번 2층E블록2열17번 2층E블록4열2번 2층E블록4열10번 2층E블록4열18번 2층E블록6열2번 2층E블록6열18번 2층 BOX1 3번 2층 BOX2 6번 2층 BOX3 6번 2층 BOX4 5번 2층 BOX5 5번 2층 BOX6 4번 3층A블록2열3번 3층A블록4열4번 3층A블록4열13번 3층A블록6열2번 3층A블록6열8번 3층B블록4열4번 3층B블록6열4번 3층C블록4열2번 3층C블록4열9번 3층C블록6열2번 3층C블록6열11번 3층D블록5열2번 3층D블록5열11번 3층D블록7열2번 3층D블록7열12번 3층E블록4열2번 3층E블록4열9번 3층E블록6열2번 3층E블록6열11번 3층F블록4열2번 3층F블록4열6번 3층F블록6열2번 3층F블록6열7번 3층G블록2열3번 3층G블록4열2번 3층G블록4열11번 3층G블록6열2번 3층G블록6열8번 3층M블록1열8번 3층N블록1열8번 3층 BOX7 5번 3층 BOX8 5번 3층 BOX9 8번 3층 BOX10 8번 3층 BOX11 5번 3층 BOX12 5번
  • 2F 568 seats

    • General seats552
    • Wheelchair seats16
  • 3F 433 seats

    • General seats 429
Note for Ticket Purchases, Refunds and Exchanges

All performances, except for children-specific ones, are suitable for elementary school students and older. If proof of age cannot be provided, entry will not be permitted regardless of ticket possession or accompaniment by a guardian. (Excluding performances aimed at children.)

We encourage travel by public transport because you may not be able to enter the venue before the performance start time due to parking lot congestion.
(ticket exchange or refund is not available for delays in entering the venue caused by parking lot congestion)

The maximum number of tickets allowed to be purchased per online order (pc, mobile) is 10. If you would like to purchase more than 10 tickets for a group, please call the Service Plaza (1668-1352)

Lost tickets are non-refundable or non-exchangeable as tickets are value instrument papers

We are not responsible for the tickets by individual transactions other than purchase through specified ticketing system or Service Plaza

Cancellation Fees
Cancellation Fees
Classification Cancellation fee Note
10 days before the event No charge  
9 days to 1 day before the event 10% of paid amount In case of tickets purchased up to 3 days before the performance, there will be no cancellation fee if cancelled on the day of the purchase
(call: ~20:00 /
visit Service Plaza: ~20:00(Tue~Sun), ~18:00(Mon) /
homepage or mobile: ~23:59)
On the day of the event Seoul Arts Center’s planned event 90% of paid amount 2 hours before the event starts
(Non refundable at Box Office)
Rental event Non refundable 1 day before the event

※ Cancellation Fees for Exhibition Tickets:
- Tickets with Time Slots: Cancellation fees apply according to the same standards as for rental performances at the Seoul Arts Center
- General Exhibition Tickets: There is no cancellation fee until 7 days after ticket purchase, and a 10% cancellation fee is charged from the 8th day onwards.
Payment methods
  • Credit card (or check card)

    Payable up to the event day

    • * Homepage(PC/Mobile)
    • * Box Office
    • * Service Plaza (Information & Tickets)
  • Virtual account

    Payable up to 5 days before the event day

    • * Homepage(PC/Mobile)

Refund by payment methods ※ A refund is only possible with the same payment method as used in booking

  • Credit card (or check card)

    Approval cancellation by credit card company

    • * Within 4 to 5 days from the requested date
    • * Under the rules of refund by relevant credit card company
    • * Cancellation fee will be charged to customer’s credit card
  • Virtual account

    Refund to the account in the name which the reservation is made in

    • * Within 2 working days from the requested date
    • * Refund after deducting cancellation fee
Ticket Cancellation Information
  • Booking online

    To cancel a reservation, a customer can check the reservation details in My Page on the website or through Service Plaza (1668-1352)

  • Phone booking

    To cancel a reservation, a customer can check the reservation details in My Page on the website or through Service Plaza (1668-1352).

  • If a customer received booked tickets through visiting Service Plaza or mail delivery.

    A customer must return tickets to Service Plaza until one (1) day before event day to get a refund. (Service Plaza Operating Times : Mon 09:00~18:00 / Tue~Sun- 09:00~20:00)

  • ※ Partial Cancellation

    • Partial Cancellation is allowed EXCEPT FOR the tickets paid by gift card, and special offer like ‘buy one get one free’ ticket. For more information and inquiry, please call Service Plaza (1668-1352)
How to receive a ticket
  • Box Office
    • * Ticket pickup at venue on the event day
    • * It operates one and a half hours prior to the start of a performance through its intermission
    • * Without a break, it operates until 30 minutes after the start of the performance
  • Service Plaza
    • * Located in the Vitamin Station
    • * Operating Times : Mon 09:00~18:00/Tue-Sun 09:00~20:00 (All the year around)
    • * Inquiry: 1668-1352
    • * Not for tickets booked through other ticket agency’s sales channel
  • Ticket Delivery
    • * Mail delivery request: available only for a ticket booked no later than 2 weeks (14 days) before event day
    • * Delivery charge: prepayment KRW 3,200 per delivery
    • * Time it takes a ticket to arrive: within 5 working days from mail delivery request
  • Note for receiving a ticket
    • Customers who have benefited from discounts (e.g. discount coupons and membership discounts, special discounts for the disabled, national merits, SAC Teens, noble members, students, seniors and last-minute tickets) must be able to present proof of eligibility when collecting discounted tickets. If a customer fails to present such certification, he or she must pay for the full ticket price to enter the venue.
    • The Box Office is very crowded when an event is about to begin. We strongly recommend collecting your ticket at least 30 minutes before the performance starts.

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Writer 비회원손님 2025.05.09(Fri)
Title work Duo Fantastico
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(The viewing reviews that have been made public will be posted in the detailed information of the work and in ‘PLAY + Zine>Viewing Reviews’.)